“The road from appearance to reality is often very hard and long, and many people make only very poor travelers. We must forgive them when they stagger against us as if against a brick wall.” —Franz Kafka

Wednesday, September 13, 2006

The critique


I finally got the critique of the poems I entered in the Nevada Arts Council Artist Fellowship Program last spring. It took long enough. If you are one of the rare regular readers here you perhaps remember I was not awarded the $5000 grant but you may have been on the edge of your keyboard waiting for the judge's commentary to arrive. Well, probably not. I'd forgotten all about it myself. At any rate, in keeping with my dedication to truth and transparency here at the language barrier, I'm posting the panels comments (there were two judges), as is (including typos) just as I did last year. If nothing else, it's another item for the alien's data bank who cleverly gave us this technology knowing we will freely pour our hearts out into the void.


ARTISTS FELLOWSHIP FY07
LITERARY ARTS APPLICATIONS

Application Number 331
Discipline / Category Literary Art - Poetry


Panel Comments

Found these poems intriguing, mysterious. Especially liked "Skin Trade"


Some strong imagistic details: "an old man...gulping like a fish," the synesthesia of "leathery squeak," "dusty clods of petals and wax." These poems are strongest when centered in image; where rhetoric outweighs image, they become slightly less so. The poems are consistent in tone: ominous, detached. The poet should trust in his/her image making to convey this surreal landscape without the need for flatter discursive passages such as the opening lines of "Road's Eye View" and "Skin Trade."


Interesting since (their misuse of word) of mystery remind me of some surrealist French poems. The musically did not work for me. There was not much effort to create a song pattern that work as part of the package.


Stunning images very surreal, but at the heart surreal there is a process of uncovering a deeper reality, a deeper meaning. I'm not quite sure what the poems were cohesively adding up to. The language was inventive and creative thematically but not quite there.


"Discursive passages"? Okay. But "not much effort to create a song pattern that work as part of the package"? Package? As in word product? I'm glad these guys don't get it.



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