Poetry fops

Poetry is a hard gig. It attracts snobs, fops, and experts. Most of it isn't and most po-ets aren't. In fact to call oneself a poet is to invite self-delusion, skepticism, ridicule and shame. And clueless critiques. Which brings me to the subject of my current rant.

I finally got the critique of the poems I submitted to the Nevada Arts Council fellowship panel last spring. You may remember I did not make it past the first cut. At the public judging, one of the judges, heaping praise on the winning contestant, exclaimed her socks were detonated by the line, "I have seen heaven and it looks like Paris". How can I compete? Ah well. Perhaps I am just bitter.

It is clear I did not please the judges. They wrote that they were confused and disoriented by my poems which, obviously to them, is a bad thing. I call it a good beginning but what do I know? Oh well. There's no going back. I'm doomed and nobody likes me. All rightie then. Enough throat clearing. On to the comments...

"There are some marvelous moments here. Taken as a whole, though, the poetry here is a bit uneven. There is something of the mystic-poet here; one is reminded at times of William Blake, at other times, of T.S. Eliot.

I sense no real unity in these poems. Their structure and arrangement shift from poem to poem and from moment to moment in some poems. Occasionally there is an interesting insight or moment of wisdom such as "For every prayer / there is an equal / and opposite prayer." The irregularity of the line lengths makes it seem like there is no design. The images in "Road's Eye View" are captivating, but the second stanza is confusing and disorienting. The poet seems to be focused on and oriented towards moments, some of them entrancing, but those moments don't add up to a coherent all-encompassing effect or anything one might call a theme."